Contemplating Marlies Dekkers' "soft bra with nipple pasties + tanga"
Nightclub Collection Fall | Winter 2007
November 2009
Dear Marlies, how are you? Before starting my contemplation, let it be very clear that nothing regarding the Soft Bra design is meant to criticize in a negative way. All is meant to provide creativity that will contribute to getting the next release of the Soft Bra design to be even more stunning.
Many tracks go well when viewing Marlies Dekkers' lingerie designs. One of those tracks is Hardwell ft. I-Fan - Feel So High.
In what way does the World know Marlies Dekkers?
How did it all start for you to design lingerie?
In what way was lingerie that was on the market, when you were starting, different from today's?
Is a reason for your success, partly, that in those days there was an enormous opportunity to push forward lingerie design since no one, for years, really cared to change the lingerie that was on the market?
Can it be said that, no one cared about changing lingerie designs because they saw no reason to do so?
In what way were your lingerie designs welcomed by the well-known lingerie designers of those days?
Did you find that lingerie designers of those days could design better lingerie, but they did not because they knew that society was not ready for more daring lingerie designs?
Is that part of your success, i.e. that you dared to make that next step in lingerie design, that society did not dare talking about? Meaning, did you stepped over a taboo regarding lingerie design?
Is there still a taboo on lingerie design as there was in the days when you started?
Do you need a taboo to be a successful lingerie designer?
Let's say there was a taboo on lingerie designs when you started on your attic in Amsterdam. Could you then still have created new lingerie designs that would be safely within the limit of that taboo?
In what way would your lingerie design, as shown by the model, have been received by lingerie designers when you would present them this Soft Bra design?
Is a part of your success, that you had a much more open view on lingerie design than most lingerie designers in those days?
If looked at today, can it then be said that there is some sort of taboo on lingerie designs?
Is the power of lingerie design, that is shows, or better said, highlights the beauty of women?
Which people would it then suit better, to use lingerie designs to highlight, women who are white or women who are black?
In what way is your lingerie business used by politicians?
In which way can lingerie boost a politician's career?
When was it that the Soft Bra design came to mind? Meaning, was this lingerie outfit already designed e.g. two years before the release in 2007?
Are you still a hundred percent lingerie designer, or do you nowadays only design when financial reports demand that you create a new lingerie collection?
What was the financial thought of designing the Soft Bra design?
Do you still take decisions yourself when it comes to the design of lingerie?
How much of yourself have you put in to the Soft Bra design?
Looking at the first sketches of the Soft Bra design, what then can be marked as most changed when comparing that first sketch with the final Soft Bra design?
Do you nowadays still design lingerie by pushing limits or do you design lingerie in such a way that it sells?
Are your goals regarding the design of lingerie today different from your goals when you were not yet renowned for your lingerie?
Could you have designed the Soft Bra design in your early days as a lingerie designer?
What does it take to come up with a lingerie design such as the Soft Bra design?
Does it take, years of experience to design the Soft Bra design?
Does it take, having experienced the fact that a lot of people judge you while at the same time they themselves are not able to design lingerie?
Is the goal of lingerie design to make people buy the lingerie because of its design, to have a collector's item so to say, or is the purpose of lingerie design to make the customers who wear it look more beautiful?
In which way can lingerie design be used to help people in a similar way as cosmetic surgery can help people who e.g. were badly burned in a fire accident look much better?
Is it that a lingerie outfit always need to cover-up the scars, for a scarred of disfigured person to be beautiful, or can it be that a lingerie design can enhance the beauty of the person being scarred or disfigured, by leaving the scared or disfigured part fully exposed?
Is there something in the colour of the Soft Bra design that can be used to enhance the beauty of the scars themselves?
In what way would it be desirable to have the Soft Bra design in a colour that changes in such a way that most of the time its colour gives a nice contrast with the colour of the scars of that person?
How many different types of light have been used on the Soft Bra design before determining the colour of it to be black?
If a scar is fully healed, is the colour of the scar then almost the same as a scar of any other person?
Does the skin colour determine what the colour of a scar will be when a scar will be fully healed?
In what way would the Soft Bra design also fit a person that not specifically has a scar, but has skin disease?
What need to be changed regarding the Soft Bra design to enhance the beauty of a person who's back is slightly covered with a skin disease?
Does the Soft Bra design need to blend in with the colour of the skin disease?
What about the Soft Bra design blending in with the shape of the skin disease?
The Soft Bra design is not constructed out of a lot material. When would that be a problem when it comes to enhancing the beauty of person with a skin disease?
Could it be that it is not a problem if the Soft Bra design contains a shape, holds a certain line over the body, that matches the shape of the skin disease of that person?
Should the thin strings of the Soft Bra design be closely strapped to the body of the person that has a skin disease?
In what way does the material chosen for the Soft Bra design need to be different so that it would not cause the skin, that is infected with the skin disease, to irritate?
Should that side of the Soft Bra design, that is in contact with the body, be made from material that is neutral to each type of skin?
Is it possible to cover the inside of that material with some sort of medication, for the person wearing the Soft Bra design, to be able to wear it simply because that medication is there?
Is there some type of clothing, that is used in hospitals, simply because people with a skin disease can wear those clothing because it can contain medication on the inside?
If such clothing is used in hospitals, what then can be said about what these patients can and cannot do, or better said; what they are and are not allowed to do?
If such patients were always used to wear lingerie when they were at home, i.e. not being ill, what then need to be altered or added to the Soft Bra design for these people to also wear it in the hospital?
What wounds or skin diseases limit the choice of wearing lingerie and why is this?
Is it because the wounds/areas, that show the skin disease, are not allowed to be covered with clothing at all?
Or is it just the other way around, and is it that lingerie can be a solution to wounds/skin diseases simply because lingerie has very limited contact with the body of the patient?
The strings of the Soft Bra design, that hold the cloth over the crotch, is very thin. When a healthy person is wearing this Soft Bra design that person might feel secure because that person is not sick, and perhaps most importantly, because that person is mentally healthy, is it not?
In the case of a hospitalized person this might be different because of the lesser physical health, but moreover, because of the lesser mental health of that person, and because of that weaker mental health that person might not feel secure any more wearing the Soft Bra design simply because of those thin stings.
What alterations can be done to the Soft Bra design for the hospitalized person to keep wearing this Soft Bra design, shall it with some minor changes?
Could one of such alterations be, that the strings of the Soft Bra design will be made from a very soft material, e.g. silk?
Is there cloth, that is used in hospitals, that can be used to create the stings with?
What cloth is used to bedspreads hospitals beds?
What about pure cotton?
In what way would a somewhat thick string, made from sheep's fur, suit to replace the strings of the Soft Bra design, for a hospitalized person to wear the Soft Bra design and feeling secure at the same time?
The colour of the Soft Bra design is now black. Is it always that black is picked as the colour to be used when lingerie is constructed out of very few cloths to cover the body?
In what way would hospital staff demand the colour of the hospital version of the Soft Bra design to be, red or white?
Why could it be that the green colour, that the clothing of the surgeons has, would make a somewhat good choice, instead of black, to give to the hospital version of the Soft Bra design?
How come the clothing of surgeons is always such a green colour? Why not white or black?
In which circumstances would a healthy person, wearing the Soft Bra design, also benefit from the Soft Bra design not being black but being "surgeon-green"?
Are such circumstances always to be found when sexual feelings are at hand?
Which circumstances would allow white to be the perfect colour to equip the Soft Bra design with? How come?
If the strings of the Soft Bra design would be made from silver, would that then be a way of providing more security to the hospitalized person who is wearing the hospital-version of the Soft Bra design?
Lingerie is an intimate thing. Lingerie reveals, it shows, it highlights that what normally stays hidden and secure, is it not?
Do all women feel more secure when their lingerie is black instead of pure white?
What about yellow?
Does the brightness of the colour have anything to do with giving a secure feeling to a woman?
Does the same apply to men?
What is needed for the Soft Bra design to be equipped with cloth of which the colour can be changed, by women, in any colour they want, at those moments that they need a stronger secure feeling.
What is the difference between a colour that provides a secure feeling and a colour that does not?
What would happen to the Soft Bra design if the strings, that lead to the crotch, will be made from a transparent material?
In which way would that alter the design?
In what way would transparent strings weaken the strong/daring appearances of the Soft Bra design?
Is it possible to use transparent material, or better said, add transparent material to the Soft Bra design in such a way that it adds to its strong/daring appearances?
Is it possible to add more nudity to a woman's body, or a man's, by adding more cloth to a lingerie design?
Besides the colour of the Soft Bra design, is it also the case that feeling the Soft Bra design, by the person wearing it, could add to feeling secure?
How firm do the strings of the Soft Bra design press against the body?
When transporting wild animals, it is often seen that the transported animal is getting more relaxed, feels more secure, when it is gently but firmly gripped. Does this same principle apply to lingerie?
What would happen to the bearer's secure feeling if a small thin oval shape over the middle of the cloth, that is over the crotch, would be left out and replaced with transparent material?
How would hospital staff react if the hospitalized person would wear such a lingerie design?
In what way could a hospitalized person benefit from the Soft Bra design that is equipped with such a transparent part at the crotch?
Is it about hygiene that a hospitalized person can benefit from such a design?
Which skin diseases can benefit from lingerie that allows light through the cloth that it is made from?
Is it possible to equip a part of the middle part of the Soft Bra design, that is over the crotch, with such a transparent material that it reduces the amount of UV light that reaches the body on that spot?
Which doctors could give a professional answer to that question?
Is it possible to reduce the sexual look of the Soft Bra design, by a hospitalized person, adding transparent cloth?
When talking about transparent cloth, is thin netting material only coming to mind?
What about transparent non-netted material?
In which clothing does transparent non-netting material is already equipped?
In the clothing of army personnel?
What about bathing suits?
What similarities do bathing suits and lingerie have?
Is the only difference between bathing suits and lingerie, that one is does not have a sexual, or sensual, look and the other is made for that purpose?
Is it more common for bathing suits to have non-netted transparent material implemented in them, than is the case with lingerie?
Are there designer rules that say that non-netted material is not to be used within lingerie?
Do astronauts make use of non-netted transparent material within their clothing?
What does the back of the Soft Bra design look like, i.e. the part that covers the bottom?
What would the bottom part of the Soft Bra design look like, if it would contain non-netted transparent oval shapes in a similar way as the skin of a leopard?
The front part of the Soft Bra design gives a real accent to the crotch being there, strongly visible. Is it not that this accent is created by the Soft Bra design because it leaves the part above the crotch open in a highlighted way?
In what way would this accent have changed, if not a diamond shape was used, but a round shape?
If a round shape could not have created a strong accent, as the diamond shape does, why then is this the case?
Is this because the round shape is somewhat misplaced because there are no round shapes elsewhere in the Soft Bra design?
If the only diamond shape would be replaced by a round shape, how then should this be done for that round shape to provide the same strong accent to the Soft Bra design as the diamond shape does?
Could one design be, that the number of round shapes should be able to create a strong accent on the covered crotch?
What about placing three round shapes in a triangular way?
It should be possible to use a round shape to create the same strong accent on the covered crotch, is it not?
Is a round shape always less expressive than a squared shape? If so, how then can this be?
If round shapes are used on a dress, is that dress then is always a summer dress?
How many dresses are there around that have round shapes on them and are not meant to wear in summer?
How is the round shape implemented in Norwegian dresses that are worn in wintertime?
In how many of those cases is it also common for women to wear some lingerie underneath?
What if the round shape, of the Soft Bra design, would be equipped with a different colour among its edge, e.g. bright yellow?
In what way would such a colour create a strong accent?
Does something need to be added to the round shape, besides such a coloured edge, that would allow for a strong accent of the crotch to be formed?
Picture the round shape being extend with one vertical line across the middle, how would that look?
Should this vertical line be integrated designed in such a way that it looks integrated with the round shape?
Or, should it be designed in such a way that it does not appear to be part of the round shape?
How can colour add to this vertical line, or vertical string for that matter, being no part of the round shape?
What colour can the vertical line have for it not being part of the round shape?
In what way is it possible to enhance the accent of the round shape to the crotch by making it somewhat elevated from the body itself, make it look like a window that is being looked through?
Is it possible to use multiple vertical lines, instead of one, to provide the round shape with more accent-capabilities?
How many vertical lines can be added to the round shape for the round shape not losing its clear look of it being a round shape?
If only one vertical line is used it would look like a traffic sign, would it not?
Let's keep the focus on one line for a moment. In what way would the design change if this horizontal line would be moved a little off centre, towards the upper part of the circle?
Picture the horizontal line being at one quarter from the top, would this then not create a strong accent because of the small half-moon shaped through which the body is visible?
Would an even stronger accent be created if a second line will be placed a quarter from the bottom of the circle?
What would be the impact of varying the thickness of this second line?
In which way would this second line add more subtlety to the whole look, more accent to the crotch, if this line would be made thinner than the line in the upper part of the circle?
Is it not that, the smaller the half-mooned shape at the bottom of the round shape gets, through which the body can be seen, the more exiting this Soft Bra design with the round shape gets?
What is the minimum size of this half-mooned shape for it not losing its exiting-giving-capabilities?
What would happen to the design if the second line will not be straight but curved in a subtle way?
When is it that the amount of curve will lose its subtle look?
What stunning design will be gotten if this second curved line will be given a strong bright yellow colour?
Which colour should not be given to this curved line because with that this look of this second line will be less?
Is blue such a colour? What about grey? What would bright white do?
Is it that bright green, i.e. the lime green of Lamborghini's Murcielago, will make the whole look of the Soft Bra design, with the round shape, to playful, i.e. not serious?
Where on the Soft Bra design needs to be added the same type of lime green for the whole Soft Bra design not to lose its serious and daring look?
What about giving the strings, that go down to the crotch, that lime green colour?
Could it be that making these strings plain lime green will result in the Soft Bra design losing its dynamic appearances?
Instead of making these two strings plain lime green, it can be chosen to make leave them black coloured but with rectangular chequered lime green blocks, or not?
What is the one thing that need to be watchful for when using such chequered blocks?
Is it that care must be taken in using to many blocks because it would make it look the Soft Bra design less daring?
What if just two asymmetric placed lime green blocks, seen from the vertical line going over the crotch, are placed on each string?
Is asymmetric design a strong contributor for enhancing the seriousness of the Soft Bra design?
Is asymmetric design overall a strong contributor for enhancing the seriousness of any lingerie design?
Let's take the Soft Bra design somewhere else for a moment. What would the Soft Bra design look if the model wearing it would stand on a sand dune in the desert?
How functional is the Soft Bra design for daily use?
If the model would be asked to take a long walk across the sand dunes, how much comfort will she feel after walking for some time?
Is the Soft Bra design made in such a way that, besides it being beautiful, it is designed to fit comfortable, even after walking for quite some time?
Is the Soft Bra design fit to be used for sporting activities?
How durable is the material that the Soft Bra design is made of?
How many women would start to wear this Soft Bra design when the whole design is made from cloth that is breathable, e.g. Gore-Tex?
Would the model feel much more comfort from the Soft Bra design, when walking in the dessert, and the Soft Bra design being made from Gore-Tex?
What was the thought behind the Soft Bra design regarding its functionality?
Was the Soft Bra design solely meant to be show on the catwalk?
Was the Soft Bra design solely meant to take a picture of and show it in a lingerie magazine?
What about it? Was the Soft Bra design meant as it being a design to be used as a part of your portfolio?
What is the use of the model wearing the Soft Bra design when she will be at a car motor show posing?
When would this model choose to wear this collection, only when being indoors?
What stunning design changes can be gotten when taking this model, wearing the Soft Bra design, to the rainforest of Brazil?
In what way do the Matis Indians, in the Brazilian rainforest, wear their clothing?
Would the Matis be surprised when they are confronted with the Soft Bra design?
Who's daily clothing does differ more from the Soft Bra design, people living in Europe or the Matis Indians in the Brazilian rainforest?
In what way would the Matis Indians can comment on the Soft Bra design?
Is it not that the Soft Bra design can also be worn by men?
Would the Matis Indians can provide knowledge on how to make the Soft Bra design fit more comfortable so it can be worn all day long?
The Matis do not wear as much clothing as people do in cities. Can it be that the Matis themselves would be interested in the Soft Bra design?
Considering other lingerie designs from the Undressed collection 2007, which designs could also be of interest to the Matis?
How many of the designs of the Undressed collection 2007 can be made fit in such a way that the Matis Indians can wear it as there daily clothing?
In what way do the Matis Indians use lingerie in their life?
How would they describe the purpose of lingerie when they are told how lingerie is used in the West?
The pose of the model, showing the Soft Bra design, is quite daring/challenging and confronting, is it not?
How would the Matis describe the pose of the model?
How would the Matis describe the pose of the model when the model would be dressed up in jeans with a blouse?
What do the Matis use in in their love-life, given the fact that their daily clothing is already quite less, compared to the clothing of the people living in cities?
What herbals do the Matis use?
Are there any herbals that they use that can be considered an equivalent to what lingerie is used for all over the world?
What highlights do Matis women use to highlight the sensual places of their body?
Since their bodies already show quite some bare spots, is it that colour plays an important role in highlighting sensual places?
Do Matis women ever pose in the way the model is doing?
Which of the makings made by Matis women can be used on the model to make the Soft Bra design come out even stronger?
Herbals and the Soft Bra design, how do they mingle?
Can the cloth of the Soft Bra design be equipped with the herbals the Matis use?
How many herbals do the Matis use for cooking?
Which of the herbals used for cooking can be used as a medicine?
Which of the herbals, used as a medicine, can be used to disinfect the skin?
Which clothing do the Matis wear when their skin is irritated?
Does this clothing has more or less strings compared to the clothing that they wear when they are not troubled by irritated skin?
Is there a Matis doctor who would recommend the Soft Bra design lingerie design to one of its patients because of the way the strings of the Soft Bra design are designed?
Would the Matis Doctor be even more in favour of subscribing the Soft Bra design to one of its patients when it is possible for the doctor to add a few coloured highlights to the Soft Bra design?
Why would colour play an important role in the curing a Matis patient?
The Matis Indians have an old and experienced history, as well in daily jungle-life as in medicine study. How deeply does their knowledge of clothing go?
How deeply goes their knowledge of making clothing with very few cloth, that reveals a lot of the body, but still can provide a secure feeling of the person wearing it?
Would the Matis use as many cloth for the Soft Bra design if they were asked to redesign it?
How do the Matis colour their clothing?
Is the colour that they use to colour their clothing also chosen because it has a protective purpose when they go out to the jungle to search or hunt for food?
When hunting in the jungle, do the Matis hunters change their daily clothing especially for the hunt?
The Soft Bra design has a very clear and strong Look. Can it be Matis hunters would prefer the Soft Bra design because of these characteristics?
What are the alterations that need to be done for the Soft Bra design to fit the Matis hunters?
How many types of animals does a Matis hunter encounter during the hunt?
How many of those animals can distinguish clear markings on other animals and on people?
How would a chimp interpret the clear and strong look of a Matis hunter wearing the modified Soft Bra design?
In which situations can it be that the clear and strong look of the modified Soft Bra design can put the Matis hunter in more danger than when he would wear the hunting clothes that he wears normally?
Are snakes able to distinguish the markings on a human's body?
If so, how then would a snake interpret the strong look of the modified Soft Bra design that is worn by the Matis hunter?
What are the chances that the Matis Indians will consider the Soft Bra design to be very decent for them to wear in daily life?
How many times can it be that a Matis hunter would like to change the strong look, created by the two strings, into a different setting, so to say?
How many colour variables would the Matis prefer for the Soft Bra design to be available in?
Which colours do the Matis not wear or mark themselves with when going on a hunt?
Which of the colours used by the Matis, for the hunt, can be implemented in the Soft Bra design?
Are there any colours in the Matis' traditions that have equivalent use in city-life?
If the Matis were asked their opinion of how strong the cloth of the Soft Bra design, that is covering the crotch, should press against the body, what then would they answers?
Would the answer of the Matis men be different than that of the Matis women?
What remedy do the Matis have against insects not getting within their clothing?
Did the Matis find a solution to use herbals to keep insects from entering their clothing?
In which ways do the Matis change their clothing when it comes to the order within the tribe?
Where would the Soft Bra design fit in when it comes to the tribal order?
What would the tribal value of the Soft Bra design be when its colour would be bright yellow?
Let's go back for a minute to the drawing board. How much resemblance does the Soft Bra design have when it comes to the clothing of the Matis?
Is possible to use any of their colours for the Soft Bra design?
Customers buying the Soft Bra design might have a reason to buy it, or not?
How much are customers attracted to the tribal look of the Soft Bra design?
Can it be that, this tribal look of the Soft Bra design, make it work for those customers considering their love-life?
How much customers would buy the Soft Bra design simply to pose in it?
Which customers would wear the Soft Bra design for their honeymoon?
Is it really a strange thing to say that the Soft Bra design can be considered more than just a lingerie design?
If so, could this be coming from the fact that the undressed lingerie design has such a daring and strong look, more than average lingerie designs?
Has there ever been shows that were solely based on tribal lingerie?
Would it be convenient for the Matis, if the diamond shape above the crotch would be replaced by a square shape?
What shapes can be mostly found in the Matis culture?
In what kind of bedroom would the Soft Bra design fit?
Are there any bedroom layouts that the Soft Bra design would not fit in?
Can it be that the Soft Bra design will only be liked by men that are not afraid by women who wear the Soft Bra design?
What would the Matis consider to be a good replacement for the netted sides of the Soft Bra design?
Can the design of the netted sides be altered in such a way that the Soft Bra design has a friendlier look?
What are the best possibilities of using add-on cloths for allowing the person wearing the Soft Bra design, to make it less challenging, less dominant and less confronting for their partner?
Could one add-on be stars or triangles? What about to use little trees or Christmas trees?
What add-ons would the Matis prefer?
Is it likely that the Matis will as many clothes as people in the cities?
Can it be said that, the less a number of Soft Bra designs the Matis are having the more they benefit from using add-ons to alter the appearance of the Soft Bra design?
Is it not that the same principle goes for people who live in the cities and have a larger wardrobe?
How many different occasions do the Matis have that would ask for dedicated add-ons for the Soft Bra design? Is Christmas one of them?
Can it be said that people living in modern cities nowadays have much less feeling or bounding with spiritual holidays such as Christmas, than the Matis do with theirs?
If so, can it then be said that people living in cities have much more need for add-ons for the Soft Bra design that will help them to pump-up the moment the Soft Bra design has the full focus? Meaning, add-ons that will enhance their love game.
How many different add-ons can be created that will allow to help people pump-up their love game?
How many different holiday seasons are there in Western society that lingerie designers design special lingerie for?
Christmas is one the most popular holiday seasons for this, is it not?
What about Easter? The bunny ears and bunny tails are always in large numbers to be found during Easter when looked at from a lingerie perspective, is it not?
Can you imagine the Soft Bra design with a bunny tail attached to the back?
If not to the back, what about two bunny tails, one on each side?
Would the Matis also consider putting a tail to their modified Soft Bra design for daily-life? And what about during the hunt?
Is it not that the Matis have much more respect for the environment in which they live and consequently would ask for add-ons, for the modified Soft Bra design, that expresses that strong and spiritual bond?
Is one add-on, that would be acceptable for the Matis, the symbol of a snake or that of medicine plant?
On how many occasions during the hunt would a Matis hunter require to change the add-on of the modified Soft Bra design, because the hunt is not going as plant or because the hunt is better than expected?
What are the add-ons that make a great look when placed between the two strings that are attached to the cloth that covers the crotch?
The model is holding a paprika. Can it be that the Soft Bra design will make an excellent lingerie outfit for female chef?
Is there enough hygiene functionality in the Soft Bra design that it would be allowed in a kitchen of an erotic restaurant?
Gore-Tex is a breathable and waterproof material. Which parts of the Soft Bra design should be made from Gore-Tex?
Which cloth can house bacteria?
Why is it that cloth that is used to make kitchen staff's clothing is used for that special purpose?
In what why is the cloth that is used for the clothing of kitchen staff different than that of hospital staff?
Has it been known that because of the type of cloth that is worn by hospital staff, no lingerie is allowed to be worn underneath?
Who dictates the rules what is and what is not allowed to be worn underneath hospital staff clothing?
The two strings of the Soft Bra design are made from elastic material, is it not?
If this is so, what design alterations need to be made if these two strings would not be made from elastic material but from non-elastic Gore-Tex?
Is using suspenders one way of keeping the Soft Bra design tidily fixed against the body?
In which cases would it be preferable by kitchen staff, working in the kitchen of an erotic restaurant, to wear suspenders?
By which actions, taken by hospital staff, would wearing the Soft Bra design with suspenders be a benefit?
When standing in the kitchen, of the erotic restaurant, and wearing the Soft Bra design, what then can be said about the person wearing the Soft Bra design being protected from fire and hot plates?
Is it that the look of the Soft Bra design, when serving tables in the erotic restaurant, will be distasteful?
When designing the Soft Bra design, has there been looked at how the Soft Bra design will fit/behave when the person wearing the Soft Bra design will move, i.e. sit, stand, walk, run or do sports?
Has there been considered in how the Soft Bra design will fit/behave when the person wearing the Soft Bra design is cuddling with their partner?
What special movements does a waitress in a normal restaurant need to make when serving?
What special pose does a normal waitress make when poring a glass of wine?
If that same waitress would wear nothing but the Soft Bra design, when serving in an erotic restaurant, what then will the Soft Bra design look on that waitress?
The picture of the model is taken in front of a dark environment. In what way would the Soft Bra design have looked like when a yellow environment would have been chosen?
Is it not that the very light skin colour of the model, the black colour of the Soft Bra design and the dark environment in which the picture have been taken, all add their individual beauty to the look of the Soft Bra design?
What would be left of the full focus of this Soft Bra design when a waitress would wear it in an erotic restaurant?
It can be said that if the environment of the erotic restaurant is similar as the background/environment that is used to take the picture of the model in, that the waitress wearing the Soft Bra design will look very good?
The model is holding a paprika in a way of openness, in a similar way her whole pose is expressing openness. Is it when serving a paprika the waitress must sit on a moveable chair in the same pose when serving food?
Has it ever been thought of that the whole look of the Soft Bra design would be far less when the restaurant environment will be lit with disco lights?
What would become of the Soft Bra design when it is worn by a waitress in a topless bar?
Can it be said that the Soft Bra design has too much class to be worn in a topless bar?
Can it be said that the Soft Bra design has too much class to be worn in a topless bar because the lights used to light a topless bar do not bring forward the strong and classy design of the Soft Bra design?
What would be a favourable add-on to use for the waitress in a topless bar wearing the Soft Bra design?
Do add-ons need to be used for the Soft Bra design, by the waitress in a topless bar, to lessen the strong look of the Soft Bra design?
What would customers in an erotic restaurant feel like when the waitress wearing the Soft Bra design outlooks them?
In what way can be made sure that food that is served in the erotic restaurant will enhance the look of the Soft Bra design?
Can it be that the plates also need to be modified for the plates as well as the Soft Bra design to enhance each other?
What was the real reason for designing the Soft Bra design the way it is done now? Meaning, was it ever designed to be functional and have been made to wear comfortable for quite a long time?
One place in the erotic restaurant the Soft Bra design will fit without changing anything about the design, is to take the whole scenery in which the photo is taken, the model and the Soft Bra design and place all of it among the outside of the room in which the quests of the erotic restaurant are eating in, would it not?
Besides placing it all on the outer side, it would also make an excellent look of the entrance of the erotic restaurant when two identical sceneries, one placed on each side of the hallway the quests use to enter the dining room of the erotic restaurant through, would be placed?
What should the print of a cup, that is used to serve soup in, must be, considering the Soft Bra design?
What need to be changed about the knife and forks, used by the quests of the erotic restaurants, for those to match the Soft Bra design?
Will the Soft Bra design come out just as strong as is now the case with the light skin of the model, as when the waitress has a darker skin colour?
If so, how then is this possible?
If not, how come that this is not the case?
Does the strong look of the Soft Bra design strongly depends on the skin colour of the model wearing it?
Is it that the Soft Bra design coming out strong, solely depends on the skin colour of the person wearing it?
The design of the Soft Bra design is a very powerful one, is it not? At least it can be said that the Soft Bra design is quite a unique piece of lingerie?
It can also be said there is not as much as sensuality in the Soft Bra design as with other lingerie designs, true?
What would the whole look of the Soft Bra design be if the model would be put up a crown?
That would be a mismatch, would it not? Or, would that strongly depend on the type of crown, the design of the crown, that would determine if putting the model a crown on will mismatch the look of the Soft Bra design?
If the design of the crown is a strong contributor to whether or not the crown will match the Soft Bra design, then it can also be said that more items can be added to the model or the scenery that would all positively add to the strong look of the Soft Bra design, is it not?
Is it also possible to reason the other way around; meaning, is it possible to match any type of lingerie design to the scenery that it will be displayed in and the model that will wear it?
Would the design of the Soft Bra design need to be altered if a heavier model would pose in the Soft Bra design?
Which parts of the Soft Bra design need to be altered to get the same strong look of the model and the Soft Bra design as is now the case?
Is it that the two strings that lead to the crotch need to be made wider?
What about the diamond shape, that is formed between the two strings, the crotch and the lower part of the hip?
Can it be that with heavier models this diamond shape need to be made smaller because a heavier model is already putting forward/showing more body?
The model showing the Soft Bra design is almost perfectly shaped, the model and the Soft Bra design are in harmony with each other, they are one. Even more, it can be said that the model, the Soft Bra design and the scenery in which the picture is taken are in harmony. True or not?
Visualize everything but the scenery being changed. Let's go neutral and replace the whole scenery with a pure bright white environment; no objects in it, no curtains, no chairs or whatever. How then will this change the strong look of the Soft Bra design?
Is it not that in such an environment every part of the Soft Bra design will come out even stronger because in some way it is more highlighted, it catches the eye much more?
In the black scenery, as is showing in the picture that the model is sitting in, the focus is much more on the model and the Soft Bra design, but also on both with a more general view, true?
If the black scenery is replaced with one that is bright white, the general focus of on the model and the Soft Bra design are no longer, agree?
In the bright white scenery the general focus on the model and the Soft Bra design go from a general one to one that is much more focused on the details of the model and the Soft Bra design itself, is it not?
Is this the case because the bright white environment brings forward the model and the Soft Bra design much stronger but also much clearer?
If the waitress in the erotic restaurant is wearing the Soft Bra design and the restaurant's interior would be bright white, then the whole look of the waitress, but especially of the Soft Bra design, will become less sexual, less sensual, and more business-like clinical, would it not? So, to say, the Soft Bra design becomes more functional to wear.
In a white scenery the Soft Bra design comes out quite strong, more focused on the design itself. In what way would it add to the Soft Bra design if in an erotic restaurant, which has a bright with scenery, the Soft Bra design is worn by a heavier waitress than the model posing in the Soft Bra design?
At what point does it happen that the Soft Bra design, worn by a heavier girl, becomes less expressive than is the case of the model wearing the Soft Bra design?
Keeping the same expressiveness of the Soft Bra design, in case of the model and in the case of the heavier waitress, is possible, is it not?
If it would not be possible, how come then that is the case?
What is it about the heavier waitress that makes a lingerie designer doubt whether the Soft Bra design can be made fit for the heavier waitress while maintaining the same expressiveness as with the slim model?
The trick of achieving the same expressiveness of the Soft Bra design with the heavier waitress lies in adjusting the proportions of the Soft Bra design, is it not?
If looked at American girls for instance, and then in particular the great looking playmate cowgirls, it first can be said that being slim is not needed to wear or pose in lingerie, is it?
What is the main difference in lingerie designs that is worn by slim models and playmate cowgirls?
True, cowgirls do have more body and bigger proportions than slimmer models. But it is the body as a total that makes a model, slim or heavy, look good, true?
The model wearing the Soft Bra design looks down, see the picture on top of this page. Why is this?
How would it look if a playmate cowgirl, wearing the Soft Bra design, would pose exactly like the model in the picture, and look down?
In what way can it be said that the model in the picture has a somewhat serene look, almost like an ancient Egyptian chamber made for an emperor or empress?
Is the Soft Bra design simply designed to be worn by women that are humble, in a sexual slavery kind of way?
A playmate cowgirl has a strong look but at the same time not a serene look, is it not?
Which playmate cowgirls can be used to pose in the Soft Bra design with their eyes turned down, looking at the ground?
In what way will the Soft Bra design change if the model will be in the same pose, as she is now, but will look straight into the camera?
In what way will the Soft Bra design change if a playmate cowgirl, wearing the Soft Bra design and being in the same pose as the slim model, will look straight into the camera?
Does it depend on the eyes of the model wearing the Soft Bra design if the look of the Soft Bra design will change when the model will look straight in to the camera?
Picture a playmate cowgirl wearing the Soft Bra design while being seated in the same pose as the slim model, but in the same black scenery as the model on the picture is?
What look will be gotten when the playmate cowgirl is seated on a tractor that stands on a farmland?
In what way will the Soft Bra design be influenced if in that same scenery when the sun comes up?
Which crops will match the Soft Bra design look very good?
Does the tractor with the playmate on it, wearing the Soft Bra design, be parked in a field that has pineapple trees on it, be a good pose?
What about a field with just bright yellow-gold wheat?
Is wheat often used as a scenery to shoot erotic photos in because of the sensual nature/look of wheat itself?
What expressive look of the Soft Bra design will be gotten if the playmate cowgirl, wearing the Soft Bra design, will be place seated on a straw bale in an empty crops field, while it is raining heavily?
Playmate cowgirls usually have well filled hips, do they not?
If the netted portion of the Soft Bra design will be proportionally made bigger, to fit the bigger hips of the playmate cowgirl, how then to make sure this bigger netted part of the Soft Bra design will not get to ordinary, i.e. normal in its looks?
Which add-ons can be used in the netted area of the Soft Bra design for it to fit the playmate cowgirls look?
What about using a wheat add-on, one on each side of the netted area of the Soft Bra design?
If not one on each side, how about one in the middle of the diamond shaped area above the crotch?
Should in that case the wheat leaf stretch over the area of the diamond shape, i.e. over the two strings?
If not letting the wheat leaf stretch over one side of the two strings, how about just make the wheat leaf cross over one string?
If would provide a more dynamic look of the front of the Soft Bra design if only one string would make a crossing, would it not?
Because the diamond shape of the Soft Bra design will be bigger when the playmate cowgirl is wearing the Soft Bra design than when the model is wearing the Soft Bra design, it can be that because of more body is showing it can be that the wheat leaf will add quite an important part to the look of the playmate cowgirl wearing the Soft Bra design.
How many models have tried on the Soft Bra design before this model, that is posing in the picture, was chosen?
What was it that other models were not good enough to pose in the Soft Bra design?
Was it that the other models were not sufficient because they were having red hair?
Could it have been the hair of the other models was not long enough or did not curl properly?
Is it not that the hair of each model can be made whatever way the photographer or lingerie designers wishes it to be?
In what way will the look of the model change if she would have posed with straight hair?
In what way does the playmate cowgirl's hair be in balance, design likewise, so it would fit the wheat head that will be placed in the diamond shape of the Soft Bra design?
Where on the Soft Bra design could an actual wheat head be placed?
Would the playmate model make an excellent pose in front of a tractor that has the same colour as the wheat head that sits within the diamond shape above the playmate cowgirl's crotch?
In what way would it make a good design if the playmate cowgirl would wear the Soft Bra design of which the strings would have been replaced by wheat heads?
If this option, the two strings being designed as if they were wheat heads, would have been chosen, how natural would it be if the wheat heads would be given the exact same gold colour as when the wheat is ready to harvest?
it not too much of a cliché if the colour of the wheat heads would be chosen gold/yellow?
In what way does using the original gold colour of the wheat heads, that are used instead of the two strings, add to a mature look of the Soft Bra design?
And to what extend does it add to the whole look of the playmate cowgirl, wearing the Soft Bra design with the two wheat heads?
Where on the model do wheat heads also need to be used to get a stronger look of the Soft Bra design and the playmate cowgirl as well?
When would it be a good idea to let the model wear a cowboy hat?
When that moment is chosen, what then can be said about the colour of that cowboy hat to be?
Should the cowboy hat match the black of the Soft Bra design or should it match the gold/yellow of the two wheat heads?
How to make the cowboy hat in such a way that it is not entirely black, but that it has some highlights that are linked to the two wheat heads of the Soft Bra design?
Is it possible to place a cowboy hat inside the diamond shape of the Soft Bra design?
Can that designs then be used is such a way that the cowboy hat, within the diamond shape, is kept in place by two wheat heads, one on each side?
How much does the strong look of the Soft Bra design changes if the wheat heads, that are used to hold the cowboy hat in place within the diamond shape above the crotch, are mounted in such a way that each wheat head is a little curved and runs a little in a downwards direction to the cowboy hat?
What should the colour be of the cowboy hat in the diamond shape?
Would it be comfortable to wear, for the playmate cowgirl, if the cowboy hat in the diamond shape is made from wheat leftovers, gathered from wheat that has been harvested?
If this is not the case, how then to still use these wheat leftovers to create the cowboy hat and do make it comfortable to wear at the same time?
Should there be made use of a soft cloth, e.g. silk, that can be used to provide the desired comfort and at the same time mount the cowboy hat on it?
What will the Soft Bra design look like if not a cowboy hat but horns of a bull will be used in the diamond shape?
How much space within the diamond shape can be used to place these bull horns?
Does it depends on the success of the look of the Soft Bra design, with the bull horns in the diamond shape, whether the bull horns fit the character of the playmate cowgirl? Meaning if the character of the playmate cowgirl is a gentle one, it can be that there will be a mismatch between the look of the Soft Bra design with the bull horns in the diamond shape and the playmate cowgirl herself.
In which way can wheat be used to overcome this mismatch between the Soft Bra design with the bull horns and the gentle character of the playmate cowgirl?
What if the wheat heads will be used on the thighs of the playmate cowgirl, how will that change the look of the Soft Bra design with the bull horns?
The two wheat heads can also be used just above the bull horns but within the diamond shape, is it not?
Think of five positions that the two wheat heads can be given within the diamond shape of the Soft Bra design.
Why would it not be a good idea to use just one wheat head over the length of the cloth that covers the crotch?
Why would it be a good idea to just use three wheat heads in a vertical way over the crotch?
Can it be said that the use of two wheat heads for the Soft Bra design, gives the best-balanced design for the Soft Bra design to have?
What should be the size of the wheat heads that can be used for the Soft Bra design?
Does the size of the wheat heads depend on the size of the model or the playmate cowgirl?
In what way would the look of the model wearing the Soft Bra design change, if the model would not hold a paprika but a few wheat plants?
Are there any objects, besides the paprika, that the model can hold in her hands?
Which options have been looked at before deciding it would be a paprika that the model is going to hold in her hand?
Why is it that there will probably be a less strong look of the model and the Soft Bra design when the model will hold a few wheat plants in her hand?
It would make a different look of it all when the model is not holding the wheat plants, but when the wheat plants are placed somewhere in the scenery, would it not?
In what way is it possible for the Soft Bra design being partly covered with wheat plants and still bring out the Soft Bra design strongly, even though it is partly covered?
Does it always have to be the crotch that need to be partly covered to make the whole look of it all exiting because the models crotch is partly "showing"?
What needs to be added to a scenery in which the playmate cowgirl is posing in a green crops field, wearing the Soft Bra design, and the Soft Bra design is partly covered by the crops' its leaves?
Who made the decision to let the model, in the picture, pose head-on?
Did other people also felt that letting the model pose head-on would be the best pose to let the Soft Bra design come out best?
What other positions have been tried before deciding that he pose of the model would be head-on?
The model is quite slim, as it appears from the picture, what part of the Soft Bra design will come out nicely if the pose of the model would be one that is focused on the right side of the model?
Would the diamond shape, above the model's crotch, show a little when taking the picture form the side?
Which part of the Soft Bra design would show nicely if the picture would be taken form the top of the model, straight down?
If the picture taken from the side and from above show less of the Soft Bra design itself, is this then because the model is quite slim?
Let's look at the pose of the model, like it is in the picture, and replace the slim model with the playmate cowgirl, who is heavier but uncompromising sensual. What part of the Soft Bra design would show better, when taking a picture form the right side now that the playmate cowgirl is posing?
And what if the picture would have been taken form above?
When looked at the pictures of the playmate cowgirl, can it then be said that more of the Soft Bra design is showing than is the case with the model?
If there is a difference between what can be seen of the Soft Bra design when the playmate cowgirl is posing in it? There must also be new opportunities when using a playmate cowgirl as a model, would it not?
How much time would the photographer spend in finding those angles regarding the playmate cowgirl, that would really bring out those special highlights of the Soft Bra design when it is worn by the playmate cowgirl?
If looked at the pose of the slim model, what then would be the added value of using wheat heads on the model or specifically on the Soft Bra design, when the picture will be taken not head-on, as is done in the picture, but just from the model's right side?
If a picture will be taken from the left side of the model, in what way will the Soft Bra design come forward when the model pulls up her right leg just a little?
Is it that with slim models not many objects such as paprika or wheat heads can be used because it very quickly disrupts the balance of the look of the slim model?
On the opposite side there is the heavier, uncompromising sensual and attractive, playmate cowgirl. What can be said about using objects on a playmate cowgirl and how it affects the look of that model?
Is it that there are objects that make the slim model come out better than the playmate cowgirl?
When looked at the usage of wheat heads, what poses can then be made, that will have an equal strong look when it comes down to the model and the playmate cowgirl?
Let's use a little more imagination; picture the whole scenery of the picture in which the model is posing, partly filled with wheat heads?
What do you see when picturing the scenery of the picture filled with wheat heads?
Where do most of the wheat heads, that you picture, are positioned?
Are there wheat heads near the chest of the model?
In which way do you picture wheat heads near wear the orchids are standing?
Why use orchids when wanting to bring out the bare nakedness of the Soft Bra design and what is exposes of the model?
Picture the usage of wheat heads, instead of orchids, to express this bare nakedness. What do you see?
The Soft Bra design is quite stunning, is it not?
If the stunning look of the Soft Bra design is to be expressed by the orchids, why then use such a cliché colour as the pink of the orchids?
If the stunning look of the Soft Bra design is to be expressed by the Soft Bra design, why then use such a cliché plant as an orchid?
Was it ever discussed that wheat heads could be used to enhance the strong expressive look of the Soft Bra design?
If so, how quick was the idea of using wheat heads discarded by the people who have created the scenery in which the model is posing now?
Who, of the people who thought of the scenery in which the model is posing, had some good ideas of using wheat heads but did not dare to bring forward this idea, because a wheat head is too much being considered a low object, an object that is not hip, that is not considered an object of value?
If it can be said that of most objects that physically fit in the scenery, in which the model is sitting, can be made fit to get the desired look of the model and the Soft Bra design, why then use orchids?
In what way would a mismatch be gotten if the model is set to pose in the scenery leaning against a bar-seat with her arms and legs crossed?
Leaning against a bar-seat with arms and legs crossed is quite often used when a business pose is needed, is it not?
When is chosen for a bar-seat pose of the model, where then would you use wheat heads to make the look of the pose and the Soft Bra design come out stronger?
Would it make a good picture of the model and the Soft Bra design if, whatever pose is chosen, the photographer will also be in that scenery?
Is there a pose of the model that will make wheat heads come out great?
Which product can be excellent advertised by the model when she poses like she is doing in the picture?
A paprika will not be a proper object that can be advertised by the model in this pose while wearing the Soft Bra design, is it? If so, how come this is the case?
One, somewhat large but still natural, wheat head, held by the model in the palm of the hand that is now holding the paprika, will be a good pose, would it not - given that she holds the wheat head in an open hand and not a gripping hand?
In fact, using one wheat head in that way would make a stronger look of the model, the scenery and the Soft Bra design than the paprika would, true?
Also using two wheat heads, held by the model in her hand that now holds the paprika, would not look to bad at all, would it - given that it is done with an open hand and not a gripping one?
Just picture it. A wheat head is much more bare and naked than a paprika is. True?
So to say a paprika is too much of an object to be held by the model, would you not say?
Also when the model is replaced by the playmate cowgirl, the paprika will also then be too much of an object to use. If you disagree feel free to explain why. And when you do explain, is then because you want to try and over-talk all that is said here, or do you really have a point to make?
So to say, the truth about a wheat head it that it has a much stronger look because the wheat head itself does not has much meat on it, it does not have a lot to show for other than itself, it does not contain any unnecessary air, it has very delicate but distinctive highlights; just like the model and just like the Soft Bra design. True?
In some way it is true, that even though the wheat head has a stronger look, its look is not equally strong on each way it used in the pose of the model, is it?
The same goes for using the wheat head in the scenery the model is posing in, is it not?
An object with similar properties as the wheat head is perhaps an apple, because an apple is also dense, compact; it has a stronger look because it is less fluffy than a paprika, true?
If so, a wheat head has quite a lot of good aspects already just without changing anything, is that also the case as with an apple? Meaning, a wheat head has aspects of its own that make it a beautiful object, but an apple does not have that much aspects that make it special in some way, is it?
If so, is it then because of the not so special aspects of an apple, that an apple, held by the model instead of a paprika, will not have such a strong positive effect on the look of the model and the Soft Bra design as a paprika or a wheat head will do?
If an apple would be used, can an apple be used that matches the strong and uncompromising sensual look of the playmate cowgirl?
Would the use of a wheat head, held by the playmate cowgirl like the model is holding the paprika - but with an open hand, be too much of a cliché?
What happens to the strong look of the Soft Bra design when the playmate cowgirl, wearing it, is posing with objects or in a scenery that is too much of a cliché, when it comes down to the playmate cowgirl herself?
How to make sure that when the playmate cowgirl is set to pose in the same scenery as the model and in her left hand, being open, one good sized wheat head, how then to make sure that the whole appearance of the playmate cowgirl wearing the Soft Bra design will not look as a cliché?
Is it that, to prevent a cliché, that because the playmate cowgirl has more body than the model, the size of objects used to let the model pose should be bigger, in this case the wheat head? Meaning, the proportions of all objects related to the playmate cowgirl model should be a match.
Can it be said that to match an object to a model, posing in lingerie, is very much about getting all things used in the pose, including the model and the lingerie, in the proper proportions?
When the playmate cowgirl shows a lot of character and the Soft Bra design brings out even more that strong character of the playmate cowgirl, why then not experiment with a bigger sized wheat head that is held by the playmate cowgirl in her open left hand?
Who would not agree with using a fake oversized wheat head?
If the proportions of that fake oversized, but highly detailed, wheat head would be that of a quality salami sausage, it still would not be a mismatch with the playmate cowgirl wearing the Soft Bra design, would it?
How come using such a quality-salami-sized-sausage wheat head would not make a wrong object for the playmate cowgirl to pose with?
Because of the strong and sensual nature of the playmate cowgirl it is possible to even put such an oversized wheat head over one of her shoulders, instead of the playmate cowgirl holding it in her hand, would it not?
The model, in the picture, has been set to pose with the paprika in her left hand and a flower in on the right side of her head. Both are red and asymmetric positioned on the model's body. Whose idea was it to use place the paprika and the flower in an asymmetric way?
Why was there chosen to use a red colour for both objects, the flower and the paprika?
Is it not, that it would have been possible to have non-matching colours for both objects, the flower and the paprika?
What is a professional opinion, about using different colours for the flower in the models hair and the paprika?
Who thought that using a red paprika would have been the right colour to use when it would come down of using a paprika for the model to held in her hand?
Did it ever came to this person's mind that a red paprika is too general, too much everyday-like?
A green or yellow paprika would have been a much less everyday colour and consequently more special to use to highlight the Soft Bra design the model is wearing. True?
It would have been great to use a yellow paprika on which a few broad black stripes would have drawn, just picture it.
Picture, what such a black striped yellow paprika would bring out regarding the strong and independence that the Soft Bra design shows, come forward with?
Strong, independent, being open and ready to embrace all that comes the model's way, that is what the Soft Bra design is showing, is it not?
If so, then a yellow striped paprika would resemble that important aspect of the Soft Bra design much more than a red paprika, not?
A red paprika has perhaps one, not to be overlooked, aspect and that is because it is a somewhat darker red it integrates very good in the dark blackish scenery in which the model is sitting, is it not?
If that would be the case, it still does not have to a reason to favour a red paprika over a yellow black striped paprika, would it?
Picture the model holding a yellow striped black paprika but still wearing the red flower in her hair at the right side. Do you see a bond starting to come alive between the red flower and the black striped yellow paprika?
What is it that makes the black striped yellow paprika fit the playmate cowgirl, wearing the Soft Bra design, much more suitable for posing?
Is it the bigger thigh of the playmate cowgirl that better suit to match the look of the yellow black striped paprika?
How much does the character, which shows form the eyes of a model, depend on the objects that can be used to let the model pose with?
The scenery in which a playmate cowgirl is often set to pose is a farm field or a barn. What great playmate cowgirl calendar would be gotten if these girls were not set to pose at cliché farm fields or barns but, wearing Marlies Dekkers' Soft Bra design from the 2007 collection, and pose in sceneries and pictures dictated by Marlies Dekkers herself?
What are the odds that the playmate cowgirl calendar, that will result from the influence of Marlies Dekkers, will not become a cliché playmate cowgirl calendar?
Let's continue picturing the use of a wheat head instead of a red paprika. What does the lens of the photographer looks like, who took the picture of the model?
Is it a special kind of lens?
What other photographic means did the photographer used to take the picture of the model?
Does Marlies Dekkers always use the same photographer to take pictures of new lingerie designs?
Do all lingerie photographers use the material/tools to take pictures of the models and the lingerie?
Is there only one good way to take pictures of models wearing lingerie?
What is normally the part of a lingerie design that is focused on when it comes to getting the picture right?
In what way is the same level of creativity, that is needed by the lingerie designer to come up with a new design, needed by the photographer to take a good picture of the model posing in the lingerie?
What would the picture of the model and the Soft Bra design have looked like if the photographer who took it did not possess a lot of creativity?
What creativity is being asked from customers of Marlies Dekkers for them to see that the Soft Bra design is a stunning lingerie design?
Does Marlies Dekkers have found that not always lingerie design is understood by customers?
In what way is it needed for customers to understand a lingerie design of Marlies Dekkers for them to buy it?
In what way do customers step in to a Marlies Dekkers' store and point out to a lingerie design in the catalogue that they are interested in buying in?
Does it often happen that a sales representative must explain the customer why a lingerie design is designed the way it is designed?
Can it be said that it asks a little more of the customers to decide they want to buy a lingerie design of Marlies Dekkers compared to other lingerie designers?
Back to picturing the use of wheat heads in the scenery the model is posing in. What would it add to the look of the Soft Bra design when a single wheat head will be put on the side of the lens of the photographer?
How can you be sure, without trying, that taking a photo of the model while a wheat head is gently placed along the photographer's lens, will not result in an outstanding photo?
Ever pictured a wheat head placed vertical, and slightly off-centre, over the lens of the photographer while taking the picture of the model?
How to make sure the wheat head is still sharp and the model posing in the Soft Bra design also?
Keep up with picturing what it will look like, just imagine looking through the lens of the photographer like he would.
What angle would suit best to take a picture with a wheat head partly covering the lens?
How many new ideas come to mind, while looking through the lens of the photographer, while the wheat head covers the lens partly?
What would it be like, from a model-pose point of view, to take the picture in such a way that is seems like the model is leaning a little forward and peaking from behind the vertical wheat head, while the Soft Bra design is still showing clearly?
Do many details of the wheat head show now that it is placed so closely to the lens?
If so, what do you see? Meaning, which details come to your attention?
Are any of those details also to be found in the model herself?
Are any of those details found in the Soft Bra design?
The last two questions are perhaps easily answered, would you not agree?
How about this question; Which details from the flower match details of the wheat head?
Let's continue. Is it possible to capture music in the photo, taken of the model posing in the Soft Bra design?
What about the possibility of capturing wind in the photo, taken while the model is posing?
Is one way to capture wind, to place a blower just outside the camera's eye, put it on quite a good blow, and release wheat heads in the wind created by the blower, while the wind is blowing in the direction square on the model?
It would certainly be a great scenery, and a great picture, if the photographer would be able to capture it, would in not?
Just picture it, visualize the wheat heads drifting on the wind square to the model's pose?
How to make sure that the model, while posing in the Soft Bra design, does not get a lot of wheat heads stuck in her hair?
Is there a make-up artists that would know what to do with the wheat heads that might get trapped in the models hair?
What should be done with wheat heads that get stuck in the models hair? Is it really a bad thing that wheat heads get stuck in the models hair?
In what way is it possible for a wheat head to get stuck in the Soft Bra design itself?
In what way would the scenery change if the model would be replaced by the playmate cowgirl wearing the Soft Bra design and being in the same pose?
When would it be necessary to put the playmate cowgirl a cowboy hat on?
When that moment comes, how then to make sure that the cowboy hat is not blown away by the wind the blower is producing?
Visualize the playmate cowgirl and the wheat heads that are blown all over her while posing. What size should the wheat heads have for the playmate cowgirl to be badly visible through all the wheat heads?
Does it also mean that to make the playmate model badly visible, while posing, that the blower must produce quite a powerful wind?
Are there also blowers on the market that can produce mini tornadoes, i.e. tornadoes that are harmless to people and can be used indoors?
What is the way the playmate cowgirl's hair need to be for her hair to match the wheat heads that are blown all around her?
Is it possible to use coloured wheat heads?
Do not think of what that would look like just see if it is possible. One great jar of natural looking wheat heads and another jar filled with wheat heads that are e.g. a bright but natural gold yellow?
Visualize that not wheat heads will be used that have a bright natural gold yellow colour, but that a bright industrial orange colour?
Does a bright industrial orange colour match the look of a playmate cowgirl in general?
If so, explain why this is the case.
If not, why then is that the case? Is it because the environment in which a playmate cowgirl lives or grew up - farm environment - the bright industrial orange is not a colour that can be found in such an area; it is a non-natural and non-matching colour for a playmate cowgirl?
If that is an answer many photographers and designers would give, what then about the challenge of making such bright industrial orange wheat heads work for the playmate cowgirl while posing wearing the Soft Bra design?
Can it be that only natural colours will prove to be successful for a playmate cowgirl posing?
What is a successful pose for a playmate cowgirl, or better said, when is the pose of a playmate cowgirl successful?
Is the pose of a playmate cowgirl only successful when men haul of excitement when seeing the pose of the playmate cowgirl in that cliché environment?
What is the difference between using cliché environments for a playmate cowgirl to pose in, when you are pushing limits regarding lingerie design, and try to find new environments that can be used for the playmate cowgirl's pose?
What are the odds that by using bright industrial orange wheat heads, mixed with natural looking wheat heads, a new standard will be set for a playmate cowgirl to pose in?
Yes, setting a new standard, for some time to come, that is what needs to be the goal when it comes down to the playmate cowgirl's pose, wearing the Soft Bra design and the use of the bright industrial coloured wheat heads, true?
Just think of it, do you want to stun men and women with your Soft Bra design and the playmate cowgirl's new pose or do you want to give them what they only know, which is; a cliché pose of a playmate cowgirl posing in lingerie?
Push limits. What pose of the cowgirl will be gotten when the wheat heads will not be blown in just one direction, but from several directions?
Start with the direction from which the natural coloured wheat heads will blow. How to make it possible for these natural wheat heads to blow square to the model in a horizontal way?
What about letting each wheat head, that is blown towards the playmate model, to rotate quite quick?
What does the side of the Soft Bra design look like?
Where does the idea come from to leave a small triangular shape, that shows the body, just below the belt of the pants?
If this triangular shape was not used to show the body but was simply left covered with the netted cloth or with the band that forms the "X", then the whole Soft Bra design would have had quite a different look, would it not?
It is because of this small triangular shape that the Soft Bra design becomes more expressive?
What would the Soft Bra design have looked like when this triangular shape would have been mirrored over its horizontal axis?
How come the triangular shape is not designed pointing left or right, towards the left or right of the model's hip?
Does the point of the triangle point down as it being a subtle arrow pointing down towards the model's crotch?
Pointing subtle towards the models crotch? Was that the first reason that came to mind when designing this small triangle?
Above the diamond shape there is an "X" designed using black broad thick strings. What would have been the look of the triangle when it was designed right in the middle of the "X"?
Picture the triangle just being in one of the lower parts in of one of the legs of the "X".
Picture one triangle also being on the same spot of the other leg of the "X".
It would have made, or better said, given a more dynamic look, if two identical triangular shapes would have been used as has been stated in the previous question; one triangle pointing down in each leg of the "X", would it not?
What needs to be done for the use of three triangular shapes not giving the Soft Bra design a vicious look?
Is using one triangle, like is done now, the limit with regards of the Soft Bra design getting too much of a "strong woman in control" look? Meaning, would it scare men?
So many positions on the pants where the triangle could have been placed, and yet it is placed in a spot where it would have been expected it to be, not?
The side of the Soft Bra design has not been given any netted cloth or any shapes through which the body is showing, why not?
Is it such a bad idea to create a belt of triangles, by expanding that single triangle to the left and right, all around the hip?
Is this belt of triangles not used because it weakens the look of the triangle itself, and most important, it weakens the look of the Soft Bra design?
How come instead of the small triangle not a small diamond shape has been designed, on the spot of the triangle, i.e. the same diamond shape as the bigger one above the crotch?
Why not make the diamond shape above the crotch just a little bit smaller so the second, but smaller diamond shape, can be made a little bigger than the triangle is now?
Would the Soft Bra design become too playful in its look when these same little diamond shapes will be created within both netted parts of the Soft Bra design?
Imagine the two smaller diamond shapes in the netted areas being symmetrical positioned of each other.
Where lies the danger in using too much symmetrical design when it comes lingerie design?
Where lies the danger in using too much symmetrical design when it comes to the Soft Bra design?
Are there lingerie designs within the Undressed lingerie collection of 2007, that benefit from the use of symmetrical design?
Is it not that it can be said that in general the use of symmetrical lingerie design will result in a lingerie design that is more playful instead of the design getting a stronger and independent look?
How often can it be seen in lingerie design for young girls that asymmetric design is being used?
How many parents are there that would allow their young daughters to wear lingerie that is designed with anything besides teddy bears and other happy characters?
What would be the look of a young girl's lingerie when it would show a delicately placed wheat head?
How many elderly women would wear lingerie of which its design mainly contains happy characters such as apples, trees, smiling faces, etc.?
What is the mismatch of letting elderly women wear lingerie of which its design mainly contains happy characters?
Does the mismatch lies in the fact that the skin of elderly women, as well as elderly men, is not nice and smooth anymore?
Does the mismatch come from the grey hair that elderly people often have?
Does it lie in the fact that most of the times the body of elderly people is not no nicely shaped as it used to be?
Is it not that elderly women can wear the Soft Bra design and will look good in it if there is a match between the look of the Soft Bra design and the character of the elderly woman going to wear the Soft Bra design?
Is it not that elderly women can wear the Soft Bra design and will look good in it if there is a match between the look of the Soft Bra design and the character of the elderly woman, that reflects from her eyes?
Has it always been said that lingerie designs for young women and elderly women must be different in design because of practical reasons?
Is one of such practical reasons that the skin of elderly women is not so tight anymore?
Is it said that the possibility for elderly women to wear lingerie declines when they become too heavy?
Can the same also not be said for heavy young women?
Is not that lingerie designs, such as the Soft Bra design, will not be practical to wear for heavier women, old or young, simply because the Soft Bra design is not designed to cope or to keep body mass together?
If heavier women want to wear the Soft Bra design, is it then to achieve this that the diamond shape above the crotch, of the Soft Bra design, needs to be made smaller and the part that is covering the crotch needs to be made larger?
What about the netted areas? Should they be made from stronger material, since they need to keep more body mass together?
As stated before, the small triangle, above the diamond shape, gives the look of the Soft Bra design a vicious, but nicely vicious, look. When it comes down to elderly women, respect for those women becomes a factor to keep in mind when adjusting the Soft Bra design, is it not?
If so, is it then needed to give the Soft Bra design a little more dignity in its looks?
Is dignity something that can bring down the initial look of any lingerie design?
Is dignity something that can bring down the initial look of the Soft Bra design?
Is it imaginable that a parent would let her teenage daughter wear the Soft Bra design to school?
If not, what about allowing her teenage daughter to wear the Soft Bra design on her seventeenth birthday?
Is it that the Soft Bra design has such a strong but special look that women choose to wear this Soft Bra design only at special occasions?
In what way is it that, compared to other lingerie designs, the Soft Bra design is strong and daring in its look that it can only be worn by women who are experienced, who know what it means to be a woman?
Does such knowledge come to women when they are approaching the age of forty-five?
In what way does the Soft Bra design evoke wrong intentions in men when women start wearing the Soft Bra design at a young age?
As asked before, which part of women does the Soft Bra design highlights?
Which part of the model, posing in the picture, is being brought forward by the Soft Bra design?
Is this the same part that is being brought forward when the playmate cowgirl is posing in the Soft Bra design?
Will adding wheat heads to the Soft Bra design, that is altered for it to be worn by heavier or elderly women, be something that will help in giving the Soft Bra design that little extra to make itself look good on such women?
In what way is it that the Soft Bra design will also fit elderly men?
Is using wheat heads near the thighs one thing that will make the Soft Bra design look good on elderly men?
Back to the Soft Bra design. What design change will be gotten when the two strings, that lead to the crotch, will be left out?
When reading the previous question, does your mind stop imagining what design will be gotten when the two strings will be left out because it cannot find the physical way of how to keep the cloth, that is covering the crotch, in place?
If one wheat head will be used to hold the cloth over the crotch in place, what is then the size that that wheat head needs to have for the Soft Bra design not to lose its strong look?
Picture the wheat head used for this having the natural gold/yellow colour. Would that make a great design or just an average design?
Using a wheat head that has a natural gold/yellow colour brings the stunning look of the wheat head a little down, does it not?
Let's try a different colour. Picture the wheat head not having a gold/yellow colour but the bright industrial orange colour. Using that colour for the wheat head immediately pushes the looks of the Soft Bra design forward, does it not?
Picture the bright industrial orange wheat head, leading from the crotch to the centre of the "X". In what way does the design change if the edges of the wheat head will be a different colour, e.g. dark green?
Dark green brings down the strong look of the bright orange, or not?
How do you picture the dark green on the edges of the wheat head to be?
The edges of a wheat head contain the wheat itself and because of that there is no straight line that can be drawn over the edge of a wheat head, true?
So, that would mean that the dark green line on the edges of the bright industrial orange wheat head will be serrated dark green, is it not?
What will a serrated coloured edge do to the look of the Soft Bra design?
If looked at the original Soft Bra design, what then can be said that a serrated edge will do to its design?
Which part of the Soft Bra design has the best potential of giving it a serrated edge?
Which part of the Soft Bra design has the best potential of giving it a serrated edge without degrading its stunning look?
Which part of the Soft Bra design has the best potential of giving it a serrated edge without degrading its stunning look?
How to make the edge of the diamond shape above the crotch a serrated one without losing the bareness and smoothness of the skin that the diamond shape is capturing?
What is a common serrated edge that is found in lingerie design?
Is this typical serrate edge in lingerie design always used because it is a part of the manufacturing process?
Does this typical serrated edge shows, or brings out, the thing of being a woman?
What is wrong with using a serrated edge for the two strings of the Soft Bra design, that lead to the crotch, that consists out of clearly distinctive squares?
With a serrated squared edge many design possibilities are possible. The only thing is how to get the right serrated edge for the Soft Bra design, true?
What serrated designs are often found in teenage lingerie?
Can it be that the Soft Bra design will benefit by making one string of the two strings serrated and leave the other string as it is, in that way getting an asymmetrical design?
When experimenting with making one of the two strings serrated, is your focus then on the string itself, that is given a serrated edge, or is your focus on the look of the diamond shape?
If the Soft Bra design is just laid down on the table, does it then still has that same strong and stunning look that is has when the model is wearing it?
If the Soft Bra design is being put on a dummy in front a lingerie shop, does it then still has that strong and stunning look?
Why is it that the Soft Bra design looks on its best when it is worn by the model?
How come that pose of the model brings out the true nature of the Soft Bra design?
Does this all mean that this model is the only woman who can bring forward the strong and stunning character of the Soft Bra design?
If so, is this the reason why women always strive to get the same posture as models have or as the dummies have in front of a lingerie shop's window?
There is something else about this Soft Bra design that makes it look strong and stunning, is it not?
For sure a dummy cannot be used to see the result of the Soft Bra design when it was being created. Was this model, that is posing in the picture, used from the early design stages of the Soft Bra design to design the Soft Bra design?
What is the purpose of designing lingerie that will only look good on people that look like the model that the Soft Bra design is designed for?
Are there no aspects of the Soft Bra design that can be used to make the Soft Bra design fit a large group of women who do not look like the model?
Maybe an answer will come later. Let's go back to replacing the two strings with one wheat head that leads from the crotch to the centre point of the "X". What does the real edge of a wheat head look like?
Each wheat in the wheat head has a very thin leaf that is growing from the tip of the point of the wheat. These thin leaves provide design possibilities, true?
What thought comes to mind when picturing a natural coloured wheat head that leads from the crotch to the centre point of the "X", without the two strings being there, and focusing on these thin leaves?
Should the leaves be taken of the wheat head for the Soft Bra design to match the model's look?
What expressive strength comes from the leaves itself?
Is it not that leaves are those details that makes the wheat head the wheat head?
Picture a field of wheat that is gold/yellow on a late sunny afternoon while the wind is moving large parts of the wheat field. What would this field of wheat look like when most wheat head will be without their thin leaves?
Wheat heads without their leaves is like a sports car of which its rims are left without the tyre. True?
Does the Soft Bra design also has that one detail that if it was left out of the Soft Bra design the whole Soft Bra design will be downgraded in its look?
Is that one part of the Soft Bra design the triangle above the "X"?
What about the "X" itself?
Can it be that it is a combination a few master details that give the Soft Bra design its character?
A sports car, that of which its rims are without a tyre, a wheat head without its leaves. The Soft Bra design without...the model?
The Soft Bra design without the pose? The pose of the model is that part that gives the Soft Bra design its power, it is the pose of the model that brings out all that remains unnoticed and not highlighted, when the model would have posed in a more common way. True?
Are there any pictures of the model posing differently?
Which Soft Bra design from the same Undressed lingerie collection of 2007 has this model being posed in?
After how many trials of posing in other lingerie designs of the Undressed collection did it became clear that this model would be an excellent model to pose wearing the Soft Bra design?
Where would the Soft Bra design be without the daring, but stunning, pose of the model?
Picture the model just standing in a normal position while wearing the Soft Bra design. How does that normal pose affect the design of the Soft Bra design?
Is it that that was one of the key ideas behind the Soft Bra design? Meaning, to give the Soft Bra design hidden details and more over to give the Soft Bra design a hidden, strong and stunning look that is only to be shown when the woman wearing it wants to show it.
Such hidden features of beauty and power are also to be found in nature, is it not?
Name three examples in which an animal only hides and shows it full and most bare naked truth.
Behold e.g. a leopard or a Lion. When it just moves around they are impressive and elegant animals. Also, many times they even seem slow or not dangerous. The true nature of these animals come fully visible when they are yawning. It is then that the impressive front corner teeth show, and when this happens the full nature and capabilities of these animals immediately become clear, is it not?
Another example, and perhaps one that better matches the Soft Bra design, is the peacock. When it moves around grazing for food or is just walking around, there are nice details in its feathers and its whole look that can be seen. But at the same time, that is all you can see. You cannot look beyond those details and beauty of the peacock that it does not want you to see. True?
There is only one pose and one pose alone that the peacock can have that shows its full beauty, and that is the pose in which it fully stretches its beautiful massive and detailed feathers. True?
Perhaps the peacock is the best example, or resemblance, when it comes down to the model's pose wearing the Soft Bra design, is it not?
Just think of it. There is almost no other pose, in the dark blackish scenery in which the model is posing, that another pose will expose the ultimate look of the Soft Bra design and that of the model herself, is it? Yes, it is.
What potential does the peacock-functionality of the Soft Bra design give it?
Name two things in which the peacock-functionality of the Soft Bra design make it excellent to use.
What about theatre? Are there theatres that will allow the people, that act in their plays, to wear lingerie, or at least not many clothes?
Is opera one field of expression in which lingerie can pay an important role in the expressive visualisation of that opera?
Are female opera singers usually shaped like the model that is posing?
If not, would it then make an excellent business opportunity to adjust the design of the Soft Bra design for it to fit female opera singers?
What about the ballet? Normally a lot of body detail is already showing when ballet dancers are performing, is it not?
Why would it not be such a bad idea to let a female ballet dancer wear the Soft Bra design underneath slightly transparent clothing while performing?
Is not that also the Soft Bra design, because the way it is shaped, it gives female ballet dancers good feeling of security and at the same time a lot of freedom of movement?
When a female ballet dancer is wearing the Soft Bra design underneath somewhat transparent clothing, can it then be said that the material of which the Soft Bra design is made, can be replaced by material that is more rugged but without losing the delicacy of its look?
In a ballet performance a lot must do with expression, is it not?
Would it be a better expression if the two strings of the Soft Bra design, that lead to the crotch, will be replaced by the bright industrial orange wheat head that leads from the crotch to the centre point of the "X"?
In what way would such an orange wheat head add to the expression of all the movements the ballet dancer will make?
How to make sure that all the details of the orange wheat head will show?
Is one way to make sure that the wheat head details will be showing, as well as the general design of the Soft Bra design, adjusting the design of the ballet dancer near the hip and the crotch?
Has it ever been thought of, looking at the Soft Bra design, how the Soft Bra design will look, what look the Soft Bra design will have, when the woman wearing the Soft Bra design wears trousers that shines through?
Has it been thought of that other clothing could add a lot to the look of the Soft Bra design?
Can it be said that the look of the Soft Bra design does not stop by simply wearing only the Soft Bra design or posing in it, without the model, or any other woman, wearing any other clothes?
Wearing clothes that shine through can give the Soft Bra design that extra strong and independent look, and perhaps more, when the model leaves the pose, is it not?
Does Marlies Dekkers only design lingerie or does she also design stylish clothing that almost comes close to being lingerie?
Which trouser or skirt of Marlies Dekkers' design would be excellent to wear over the Soft Bra design?
Back to the ballet dancer. It is already mentioned that wheat heads have very thin leaves. If the leaves of the wheat head would also be bright orange, would that then add to the expression of the Soft Bra design?
Should the leaves to the wheat head stay in their natural position or should they be different?
What ways can be used to make the wheat head and the leaves not to make it look like the naked crotch of the ballet dancer shining through?
Is using different colours for the leaves, different than the orange of the wheat head, the solution to overcome the problem of the wheat head and the leaves look like the naked crotch of the ballet dancer shining through?
What about the number and position of the leaves of the wheat head?
Is it possible to design the leaves of the wheat head in such a way that they equally spread out from left to right, pointing away from the crotch?
It can be said that using less leaves will result less in the Soft Bra design looking like the naked crotch of the ballet dancer shining through. True?
If using less leaves is chosen, what are then the directions in which they should point out?
Should the lengths of the leaves be in such a way that they do not cross the outer limits of the other parts of the Soft Bra design?
In what way would a better design be gotten if not one single wheat head will be used without using the two strings, but to leave the centre wheat out, put the two strings back in place and replace them by two wheat heads of which the leaves are very clearly showing?
Removing the centre wheat head using to wheat heads with leaves on the location of the two strings, also scales down the problem of the Soft Bra design looking like the naked crotch of the ballet dancer, is it not?
Let's return to the model, posing in the picture. What kind of tattoo can be used on the upper arms of the model to get a more integrated look with the Soft Bra design?
There is not much shapes or details to go on when looking at the Soft Bra design, is there?
Which shapes or details of the Soft Bra design can be used to copy/extend those details to the tattoo on the upper arms of the model, to get a more integrated look of the model and the Soft Bra design?
Would it add to the look of the model and the Soft Bra design if the diamond shape of the crotch will be used as the main shape of the tattoos?
A wheat head would make a much better tattoo than the diamond shape that resides above the crotch, does it not?
The one condition for using wheat heads as a tattoo, one on each upper arm, is that the two strings that lead to the crotch need to be replaced by two wheat heads, or not?
One detail to uplift the look of the Soft Bra design is to focus the design on the leaves of the wheat heads, that replace the two strings, but what to do with does leaves?
Now that the centre wheat head is left out of the diamond shape, the original design of the Soft Bra design is back. It is already mentioned that the leaves of the wheat head should be a little lessened and should be spread out more, spread out like the feathers of the peacock when putting on its full display. What about making the colour of the leaves pitch black?
What can the look of spread-out-pitch-black leaves be if the wheat head itself is a bright industrial orange colour?
What do you see when picturing the model, posing as in the picture, and wearing the Soft Bra design with two of such wheat heads?
Is it possible to place the leaves of the wheat heads with glass fibre?
Is it possible for glass fibre to endanger the health of the model while wearing the Soft Bra design?
What other materials that resemble the aspects of glass fibre can be used, but are not dangerous to the model or the women wearing the Soft Bra design?
Let's say that the material, that has the same characteristics as glass fibre, will be used to create the leaves of the wheat head with. What new possibilities does that provide when it comes down to bringing colour to these leaves?
Let's say for a minute that it is possible to, just as with glass fibre, light each leaf of the wheat head, in a similar way that is nowadays done with consumer glass fibre products, what colours would be preferable to use to light the leaves?
Would that depend on the occasion that the Soft Bra design is been worn for?
For example, if it is Christmas, a playful red and green might be used for the leaves of the wheat heads?
Technology of colouring consumer glass fibre is already some time on the market. What are the possibilities of lighting the leaves of the wheat head in a reddish and green colour for the Christmas holidays and at the same time simulating snowflakes within each leaf?
Let's leave Christmas for a while and the model in the picture. Let's return to the playmate cowgirl, wearing the Soft Bra design. Would the use of two wheat heads, containing leaves, be much more of a match than was with the model?
If looked at the farm land, what colours do stand out often when looking over the crops fields?
What are the colours of the weather situations than can be found in the Midwest of the United States?
What are the cloud formations like that often tell about stormy weather is upcoming?
What colour shifts can be found when hail clouds mix with thunder clouds in Tornado Alley, in the United States?
How many new poses are created now that the leaves of the two wheat heads can be given colour?
Leaving the stunning pose of the model in the picture for a moment and look at the uncompromising sensual playmate cowgirl wearing the Soft Bra design, with the two wheat heads. It would make a great pose if the playmate cowgirl would stand on a road, with in the background dark clouds packing together and the leaves of the two wheat heads brightly light up?
Picture the playmate cowgirl being in a classy cowboy bar wearing a stylish short waitress skirt, a woollen sweater and the Soft Bra design with the leaves of the two wheat heads shining brightly. What would make a successful pose for a playmate cowgirl dressed up like that, when the only condition is that the Soft Bra design is stylish showing, especially the lighted leaves, together with the playmate's uncompromising beautiful face, hair and powerful eyes?
Which known playmate cowgirl has a lot of class and deepness when it comes to the eyes? An example of such great looking eyes is for example those of high class playmate Jessica Burciaga.
What is the pose for that playmate cowgirl to have, when the Soft Bra design, including the wheat heads and the leaves, that are lit, to be caught in one picture together with the stunning playmate cowgirl's eyes?
How thick can the leaves of the two wheat heads be, looking at the posture of the playmate cowgirl, and still be a comfort to wear?
Some questions back it was asked about the colours of the weather e.g. Tornado Alley in the United states. It would make a create pose if the leaves of the two wheat heads would be thicker than normal glass fibre and had a dark grey colour running through it with flashes of white, resembling the dark and white clouds thunder clouds as the sky does just before a tornado is born. Picture the playmate cowgirl wearing the Soft Bra design with the two wheat heads that have the thicker leaves and the darker colour running through it with flashes of white and the
playmate cowgirl posing with in weather conditions that easily can set off a tornado. What are the poses that at that time and place can be made with the playmate cowgirl and the modified Soft Bra design?
It is possible to continue on this subject but for now it ends here.
- This contemplation is fictional and serves as an example.
- Marlies Dekkers - marliesdekkers.com